Garment Sizing and Fit: Two Webinars

Many knitters avoid making garments out of fear... fear about fit. Early in my knitting career, I made several garments - a terrific cabled cardigan, an excellent raglan-sleeved pullover, and a lightweight summer cardigan - and I have never worn any of them.

Why not? Because they don't fit.

There is nothing sadder than a knitter with a sweater that can be worn...

I'm excited to announce that I'm doing two webinars this summer to help you learn from my mistakes, and avoid this awful problem.

The first, "Knitting Designs with Custom Fit", running June 27th at 1-2pm Eastern Time tackles the fundamental questions: how to read and understand the sizing and fit information given in a pattern, and choose the right garment and the right size.

You'll learn:

• How to choose what size garment to knit using sizing information and other pattern clues to make sure the complete garment fits as intended.
• Key concepts of ease, fit, and styling to explore what type of garment and size would fit best for your personal style.
• How to measure yourself properly.
• Tips for easy garment alterations to make a garment flattering.
• And more!

You can attend the webinar "live", or if the timing doesn't work for you, that's ok - it's being recorded, and you can register and watch it at your convenience.

More info and registration here!

The second session, "Knitting Alterations: Easy Techniques for Knitters of All Skill Levels", runs July 31st at 1pm Eastern Time. In this, I'll go deeper into pattern alterations with simple adjustments that you can make to ensure the resulting garment is a perfect fit.

You'll learn:

• How to adjust sleeve length and fit.
• How to change the body length of any sweater.
• How to make your garment the most flattering with waist shaping techniques.
• And more!

More info and registration on that one here!  And again, if you can't attend live, you can watch the recorded event at your convenience.

Knit Along With Me!

We're having a summer-long knitalong for all the Cooperative Press titles over on the Ravelry group starting July 1st!

As long as you're signed up to Ravelry, you can participate. Come join me here.

I'll provide support and answer questions as you go - happy to consult on yarn choices, provide tips for working the patterns, give guidance on techniques. And post pictures of your projects as you go, and share

Cooperative Press has an amazing range of book titles, so now's your chance to explore them! Knit up some quick gifts, pick up some new skills, take it easy, push yourself.

Needless to say, I'd love it if you want to knit along with me on one of my book projects, but I'm just as excited about seeing projects from other books, too. All of the discussion threads can be found here.

All of the e-books are available for download on Ravelry or you can order a print copy with a digital version here.

The best part? There are prizes for participation! Don't you want a prize?

New online classes: Fixing Mistakes, and 'Gapless Gussets'

I'm thrilled beyond words to announce the launch of two more video classes.

Fixing Mistakes.

Knowing how to find and fix your mistakes - and when you don't have to - is what makes you a truly empowered knitter. I'll share tips and techniques for finding mistakes, fixing them - and perhaps more importantly - preventing and avoiding them in the first place.

It's available as a video download or a DVD, so you can watch over and over again, as often as you need!

You can see a preview of the Fixing Mistakes class here.

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And the second class is Kate's Fantastic and Unbelievably Easy Technique for Avoiding Holes in Top-Down Sock Gussets, also known as "Gapless Gussets". This quickie video share the trick that I've been using for years to make better looking, and better fitting gussets in top-down socks.

Very red-faced.

In addition to being a knitter, designer and teacher, I am a technical editor. I edit other designer's patterns, with the objective of ensuring that the patterns are accurate, easy to follow, and that they produce the results intended.

So it was a huge humbling moment for me when I had an email from a knitter last week informing me that there were a couple of mistakes in the numbers in one of the patterns I hand out in my classes. She was completely right, and I was completely mortified.

I'd been using this pattern for years, and it was good. But then I decided to get clever: about a year ago, I added to it an extra size that I'd developed for my second book, and in doing that, I made a 'simple' typing error - 28 instead of 38. I didn't have the pattern re-edited, because it was such a simple change. But it doesn't matter how simple it is, if it's not right!

I connected again this weekend with another student who'd taken my class, and she said that she assumed the problem was with her, and so she'd had to abandon the pattern. I know that when something goes wrong in pattern, I tend to assume it's me - as did this particular knitter. She couldn't figure it out, so she'd found another pattern and started again.

I'm glad I was able to talk to her: to apologize, to reassure her that it wasn't her, and to provide her with the fixed pattern.

But I also asked her - begged her, in fact - to get in touch with me next time. Yes, sometimes the mistakes are our own causing. I know I've cast on the wrong number of stitches, decreased one too many (or too few times), and lost track of what row I'm on in the pattern. But sometimes the problem is in the pattern. And if it is, as a designer, I want - need - to know, so I can put it right, and make it right for all the knitters who might be struggling.

I'm very sorry to all knitters who've run into problems with this version of the pattern. If you've taken a Top Down Sock class from me in the past year or so, send me an email at kate at wisehildaknits dot com, and I'll send you a new version of the fingering weight version of the pattern.

And if there's ever any question about one of my patterns, don't hesitate to get in touch. I include my email address on my patterns and class hand outs for a reason.


To fix the pattern and get you the fixed version is the least I can do to thank you for spending time and money on me and my work. I owe you that.

And it's not just me - all the designers I know feel the same way: if you see something, say something, so we can make it right.

Thank you!

The Very Definition of Intrepid Knitter

Knitter K. recently took my class on Knitting Two Socks on Two Circulars, just before she left on a cycling vacation.

She wound up two balls of yarn, threw them in her backpack, and got on her bike. She cast on as she started on her trek in the Czech Republic, and as she cycled into Hungary, the heels were done and now she's into the foot.

Love it! I look forward to the follow-up photo, of her wearing the socks on her bike.

KnitEdge Magazine - My Sock Column

I'm proud to have published my two books with Cooperative Press, the brainchild of KnitGrrl herself, Shannon Okey. Shannon's latest fabulous initiative is Knit Edge magazine. A digital magazine, Knit Edge brings together the best in new and modern design, and columnists on a broad array of topics.

Shannon has been kind... brave?... foolish? enough to give me a column - Wisehilda on Socks.

See a preview of one of my columns here, on the Knit Edge blog...



Shannon's also offering a special discount for subscribers for my readers: $3 off a full year subscription with the coupon code "wisehilda" if you sign up for a year here... Yes, that's right - 3 issues for $11.99, saving you nearly 6 dollars off the per-issue price!

But it's not just about me. Shannon has assembled some great talent to work on the magazine, and designers in the current issue include Brenda Castiel, Elinor Brown and Joelle Hoverson. Designers like Annie Modesitt, Sarah Wilson and Lara Neel have been in previous issues. To see the designs in the new issue, look at Ravelry. Back issue patterns are here.

In the inaugural issue, I talked about how to get started with sock knitting. But I'm not afraid to tackle the controversial topics: In Issue 1, I discussed the whys and wherefores and the pros and cons of toe-up vs. top down. And Issue #2 was all about the various needle configurations - DPNs vs. Magic Loop vs. Two circulars, as you can see in the excerpt above. In the latest issue, I talk about yarns for sock knitting.

Are there topics you'd like to see discussed? Questions you want answered about the world of sock knitting? Bones you want to pick with me...

Yes, that's right, I don't graft the toes of my socks... wanna fight about it?

Sea-going Shenanigans with the Cooperative Press team!

It's true! We're going to the Caribbean and we'd love to take you with us. Join CP authors me me me me me!!, the very clever and very talented lace designer Anna Dalvi and the inimitable Shannon Okey for 7 days in the Caribbean next January. Price includes 3 whole days of knitting classes, too -- no hidden fees.

We leave from Miami January 25th, 2014. Can I just point out that that's January... and it doesn't snow in Miami or on a cruise ship in the Caribbean? If it's usually snowing where you usually are in January, you might want to consider joining us...

Click the image above to email Linda of Viva Spain Travel, who is organizing the travel arrangements for this cruise.

A long weekend, knitter-style...

Sunny patio brunch, with knitting.



Roadtrip, with knitting.

'Magic Socks' Online Class: Learn the War & Peace method in the comfort of your own home!

I'm thrilled to announce the launch of my first online video class - "Magic Socks" with Annie's. This sock teaches you the secrets of working two socks at once, using the double knitting method, also known as the "War and Peace" method. It's so-called, is it's mentioned - somewhat oddly, in passing - in his masterwork novel, War and Peace.

If you've ever wanted to learn the War and Peace method of making 2 socks at once, but were a little intimidated - this class is for you!

If you've ever wanted to take one of my classes in person but haven't been able to - this class is for you!

If you want to be able to rewatch my lessons over and over again - this class is for you!

Join me as I explain and demonstrate this seemingly magical technique step-by-step using two different colours of yarn so you can see exactly how to knit each separate sock on the same needles. As is my way, instructions are given for double-point needles, magic loop and 2 circular needles.

To make the project a little more manageable and accessible for online learning, we're using DK weight yarn, and it's a simplified sock construction, with a short-row heel and a simple star toe. Once you've mastered that, you'll be ready to tackle other versions, including the full-on fingering-weight gusseted-heel directional-decreases version!

This was my first experience doing a video class, and it was an enormous amount of fun. It was definitely challenging at times... where am I supposed to look? what was I saying? is there more coffee?... but I dearly love teaching, and I'm so happy that my classes can reach a broader audience.

The class is $24.95, and you can watch a free preview of the class at the website.

New Design: Asking for Flowers

A sideways shawl with biasing garter stitch makes for a beautiful drape, and a dramatic Shetland lace edging adds interest to the knitting – but not too much – and to the finished product. Short-row wedges create a nice curved shape.

I used Rhichard Devrieze's wonderful hand-dyed 100% merino fingering weight yarn. The colourway, “The Flowers” brings to mind all the joys of a summer garden – wear the shawl in the spring, to hasten the arrival of the season, and in the winter, to remind you of the glories to come.

Suitable for knitters with a little lace experience, but you don’t need to be an expert!







Uses a bit less than 3 skeins of the yarn - about 550yds - and the finished item is 62 inches wide, and 20 inches deep.

More info on Ravelry, or

Also available on Patternfish.

Thanks much to Claude La Rue for the terrific photography!

New Design Coming Soon: Asking for Flowers

Thanks to Claude LaRue for the photography.

On Magic Loop and Two Circulars

If you've taken a sock knitting class with me, you've likely heard this "mini rant" from me before.

Although I learned to knit socks on DPNs, and that remains my needle configuration of choice, I recognize that there are other ways to do it: Magic Loop and Two Circulars. I recently wrote a blog post for my friends at Signature Needle on precisely that topic... using circular needles to work small circumferences in the round.

Some knitters aren't comfortable with DPNs, and in some situations, DPNs aren't ideal. If you're travelling, for example, you really don't want to be in position to lose a needle.

Magic Looping a sock

I feel pretty strongly that although which method you use is a point of personal preference, there is no difference in the methods. It's like whether you hold your pen in your right or left hand. What results is still words on paper, so why should we worry about the difference in how you get it done?

With different needles, you still get socks (or mittens, or the tops of hats, or sleeves, or what-have-you), so it shouldn't matter what needles you use.

This informs a key piece of my pattern writing and editing strategy... I believe that where possible, patterns should be "needle agnostic". We don't distinguish if you're working flat on straights or circulars, so why should we distinguish if you're working on DPNs or magic loop or two circulars?

But it's amazing how many patterns - indeed, I think most of them - still distinguish. But I believe pretty strongly that you're cutting off a piece of your market that way. If a pattern is written for DPNs, a magic looper might not be able (or want) to do the work to think through how to make it work 'their way'... I've seen DPN-knitters avoid a DPN pattern because it uses five rather than the four they're used to. This saddens me - I want everyone to be able to knit everything!

I do absolutely recognize that your first sock (or mitten, or whatever) pattern needs information on how to arrange the stitches, just to get you familiar with the process and structure. But once you've done one or two, then you should be able to work however you want, without being constrained by how the designer did it.

Call me an idealist, but if I ran the world, knitters could use whatever needles they want, and the patterns would allow that!

The DKC Frolic; Fantastic?

As always, it's such a good time. The event is a major highlight of the year for me, and not just because it's at the start of the summer.... but because of the shopping and the classes and the people.

I was pretty busy this year, with four fun classes.

I ended the weekend with a gang of intrepid knitters, teaching the War and Peace socks. I love this class, as it's a fabulous challenge and fun experience - not nearly as hard as it seems, and at the same time much more fun and much cooler.

As for shopping, I didn't have a ton of time, but I did manage to add to my book collection. As a designer, I love stitch libraries for inspiration, and I picked up another Japanese stitch libraryfrom Marsha at the Needle Arts Book Shop. I also got a booklet of wonderful vintage lace designs.

But the highlights came from Kim and Ron of indigodragonfly - not only my own colourway! - but also this GENIUS button, destined to be loved and worn by knitting designers and teachers everywhere.

It stands for "Knit a fantastic gauge swatch". Or perhaps "Knit a fair-sized gauge swatch". Or whatever "f" word you might wish to substitute....

I've Made It! I've Made It!

Lovely readers, do you know indigodragonfly yarns?

Kim and Ron, the geniuses behind the company, are known for their beautiful yarns, their fantastic colours - but perhaps most of all, they are known for their hilarious, bizarre and yet always apt colour names.

Their names are often inspired by pop culture - there's a Buffy series, a Firefly series, a High Fidelity series - and sometimes just by ridiculous things people say.

And I'm proud to announce that I am one of those people that has said ridiculous things... a ridiculous thing that gets it own yarn!

When I did a design for Kim's project club, I carefully wrote up the pattern, and submitted it to her chosen tech editor for review - the eminently sensible Jaya.

I often use a safety pin in my lace projects, as a way to mark the right side of the fabric.

But I often type faster than I think....

So instead of "safety pin" I typed "safety pint".

That in itself is funny enough.

But with me being a relatively well-known tech editor with a passion for precision, and it being a design for Kim's club (where strange things have been known to happen), the typo stopped Jaya in her tracks.

She actually contacted Kim to check whether it was a typo, or whether I actually meant it...

We've been laughing about this ever since.  It's become a short-hand for "beware: this is the sort of pattern that might drive you to drink".

And when Kim was creating new colours for this spring, she and her team created a truly fantastic orange. The sort of orange I adore wearing and knitting. My favourite colour!

And so:

"Safety Pin or Safety Pint: Discuss"

"Spinning a Good Yarn"

The Grid magazine in Toronto profiles male knitters, and explores the shift in gender perceptions towards crafting...

Knit Fest Spring Fling in Collingwood

This Saturday I'm heading up to Collingwood with Glenna C. to teach a couple of classes at Grey Heron's KnitFest.

Karen has a beautiful space, and we are gathering to spend a day learning, sharing, laughing - and enjoying some of her wonderful hospitality.

I'm teaching Continental Knitting, and a workshop on Sizing and Fit. Glenna is teaching a class on cables, and her fun steeking workshop.

We went last spring, and had a fabulous time. Come join us!

What (Else) Would Madame Defarge Knit?

I'm thrilled to announce that I'm part of the new Cooperative Press publication from editrix extraordinaire Heather Ordover, What (Else) Would Madame Defarge Knit?

In the book you will find 28 patterns written by designers both new and experienced - one of whom is me, of course!

Of course it's a sock... 

As in the previous book, there's a range of projects of all difficulty levels so everyone should be able to find something to love. You can see pretty pics at Ravelry. Each designer has contributed a pattern, and also a story about their relationship to books and their own acts of creation. These stories are heartfelt, honest, and in few cases, just darn funny.

To celebrate the book's release — and to give something back to all of you who make this possible — we are giving away some goodies.

If you've already pre-ordered the book, check your inbox or spam filter tomorrow afternoon! The links to the goodies should appear!

If you haven't already ordered the book (what are you waiting for?) you have two choices:

• Pre-order W(e)WMDfK? —learn more here or order
  
  Print+Digital. $26.95 or
  
  Digital only $16.95 through Saturday at 3pm EDT

or

• Pre-order W(e)WMDfK? and pick up a copy of the original WWMDfK? in print and digital formats —$50 plus shipping for both books, both formats! For those of you who don't already have the first book, this is a nice deal. Learn more here or order  Print+Digital of both books.

The discount on the two-book package and all of the goodies disappear at 3pm EDT on Saturday, April 6, 2013.

Holiday Knitting

Travel - especially journeys with long plane/car/train trips - are excellent opportunities for knitting.

We had all of the above on the trip to the UK - plane there and back, of course, plane up to Aberdeen and back; various train journeys in the London area, including a day trip to Brighton, and some longish car rides in the Aberdeen area. Perfect.

In the days before I left, I had the usual "what knitting should I take" panic... socks, of course, but I wanted something else, too.

A conversation with Brenna at Lettuce Knit got me thinking...

In the fall of 2005, I knitted a garter stitch scarf with Kidsilk Haze, and although I loved the result, the process nearly killed me.

I absolutely adore mohair, and it's always galled me that I'd had a bad experience with it. I should love these fine silk/mohair blends, as they are incredibly light and incredibly warm. Perhaps it was time to try again.

There was a partial ball of this yarn in the scrap bucket, so with Brenna's encouragement I decided to give a go.

I knew that whatever I did, it had to be simple - for successful knitting in low-light and low-sleep situations, and I wanted a basic go-everywhere, wear-with-everything result. I thought about a big rectangle, but at that gauge that would have been a lifetime's worth of knitting.

It look me a few goes to land on the pattern I wanted, but I ended up with a tip-up triangle shawl in garter stitch. Easy as possible. It was the clever Rosa's suggestion to start with a few stitches already cast on (rather than at the very tip), to change the geometry a little.

I made sure I had plane-friendly needles - I chose Chia Goo bamboo circulars as they have surprisingly good points for non-metal needles. And I remembered from my previous experience that you need a good point.

Using 4.5mm needles, I cast on 45 stitches and starting working... every row: kfb, k to end.

Easy. No need to keep track of the rows; no need to keep track of stitches. It didn't matter if I ended up with a stitch too many or too little.

I started a couple of days before I left,



and worked on it all through the holiday...



over drinks both hot and cold...







and cast off on the plane on the way home. Exactly 2 balls of the KidSeta gives a shawl about 24 inches deep and 66 inches across at the top edge. It's blocking now, and should be dry enough for me to wear tonight when I head out to teach.

I do have a third ball of the yarn in the stash, and I plan to wear this for a bit to see if I like the size... am thinking I might add a border along the lower edge...

Can't blog, am on vacation.

 Lace on a plane!

Lace in a coffee shop!

What Else Would Madame DeFarge Knit?

An excellent question indeed....

image courtesy Wikipedia

Madame Thérèse Defarge is a character in the Dickens book A Tale of Two Cities. She is a knitter, sitting by the gallows with her needles always close, through personal and political upheaval chaos during the French  revolution.

Brilliant designer, teacher, podcaster and all-around clever person and good egg, Heather Ordover, of CraftLit, published What Would Madame DeFarge Knit a couple of years ago. A genius blend of craft and literature, the book provides patterns inspired by great characters and books of literature. It's one of those knitting books that you can keep beside your bed, and read like a novel.

I loved the book when it came out, and was thrilled when Heather asked me to contribute to the second volume, What Else Would Madame DeFarge Knit?

It’s more than just a pattern book — it’s a treasure of links, essays, and designs to entertain your hands AND your mind. In its 200+ pages, you’ll find more than 25 knitting patterns (and one weaving pattern!) designed to delight your inner bibliophile.

There was no question which book, and indeed, which character, I was going to choose... Can you guess?

Book available for preorder here, it's shipping next month.

If you're interested in the book, sign up for the newsletter here. Even if you're not, sign up anyway! Free patterns! Free pattern for a really lovely pair of mittens, which apparently we'll need forever now, because summer is never coming.

On the Road Again: Waterloo Classes and then a Holiday

This weekend I'm loading up my car with Nutella muffins and heading to see my friends at Shall We Knit in Waterloo.

I've got four classes on the slate:
Continental Knitting: Knit faster! Master 2-handed colorwork! Rest your strained hands!
Intro to Lace Knitting: Yarnovers, lifelines and blocking - oh my! Suitable for adventurous newer knitters, or knitters looking to expand their repertoire, I'll introduce you to the joy and wonder of lace knitting. We'll learn how to read and work lace patterns (including charts), and I'll share tips and tricks with you for successfully working lace projects, and producing shawls and scarves you're proud to wear.
Top Down Socks 101: A very good place to start if you've never made socks before. Suitable for knitters who are confident with knit and purl - experience knitting in the round preferred but not mandatory. Also good if you live in the land of the toe-up, and want to broaden your horizons. Adventurous sock knitters like to go both ways, you know!
Fixing Mistakes: Because Knit Happens. Suitable for knitters of all levels - come and learn how to save your work. You'd be amazed about what we can fix without undoing - and if you do have to undo, I'll show you ways to make it painless and safe.

And as a bonus, the very wonderful Kim McBrien of indigodragonfly is going to be there at the same time - she is teaching a few classes, and running a yarn tasting! She'll also have a special pop-up shop with lots of delicious yarns.

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And then after that, we're jumping on a plane to the UK for a bit of a holiday, and a wedding. Planned highlights include: the Kaffe Fasset exhibit at the Fashion and Textile Museum, the David Bowie Exhibit at the V&A, and an Argi Bhaji sandwich or three.

Delicious. Seriously.

Awesome Things: Y is for Yarn; Fantastic x 2

I'm beyond thrilled with two things that have come my way recently.

The first is a write up about me and my second book in the Spring/Summer 2013 issue of Vogue Knitting.

 I blush... "followed her fantastic first book... with an equally fantastic second"... Wow.

The second is a postcard sent by my brother T. from the Manchester Art Gallery.

"Y is for Yarn"
To business men in Manchester
The Yarn is daily bread,
They talk of hanks and mules and counts,
And throstle-frames and thread,
As did their grandsires long ago
Who now, of course, are dead.

It's from "Manchester Alphabet", 1906, by Roger Oldham. This book of comic drawings and verse was ostensibly created as a child's alphabet, but clearly was designed for the fun of the adults. The book contained drawings of the then very gritty and industrial city, delicately drawn and coloured, with dry verse to accompany. 

I was born in the environs of Manchester, and my mother's family goes back a long way in the area. My Mum remembers well this industrial past, and the phrase "trouble at' mill" is not just a Monty Python punchline.

More detail on the publication here.

Finished: The Leopard Hat

Subtle? Nope!

But I LOVE IT.

Just the ticket for cheering up the last weeks of winter.

More here.

Have You Had Lunch? "The Sandwich Theory of Colour Selection"

I made a presentation a couple of weeks ago at the KW Knitter's Guild meeting, on the topic of colour.

Colourwork is a topic that worries people. I get amazingly experienced knitters in my Intro to Colourwork classes.  I always start the class by asking if anyone has tried working with multiple colours in any way, and usually at least half the class has. Indeed, there's usually a couple of people who've made entire Fair Isle sweaters....

"But I'm not sure I'm doing it right." 

Even knitters who've done colourwork in the past feel like they need help, because they want to do it better.

I get it – bad colourwork is an awful experience. It’s not the easiest type of knitting to do, and the results can be either terrible, or just plain disappointing.

The problem is that it’s not just about being able to read a pattern and successfully work the stitches... and that it itself is challenging, when you're trying not to tangle (or to tangle appropriately)...

... but it’s also about TASTE. In that, it's about appropriate colour choices. It always makes me worry: are those good colours? Are they the right colours for me? Does it look good?

And for me, that's where I start to worry. When I gave my talk at the KW Guild, I focused on building confidence. Confidence with the techniques, sure, but perhaps more importantly for me, confidence about choosing colours.

The lovely Annie Bee, member of the KW Guild, (and fellow rescue hound owner), had written about colour theory on the Rock + Purl blog a couple of weeks ago. I thought her post was great, but I know that even using the words "colour theory" still frightened some people.

Annie, thrilled with the great response to her post to the Rock + Purl blog (well deserved, it's terrific) was inspired to start a series of posts about colour on her own blog. And she asked for guest contributors.  Always seeking listeners for my myriad opinions, I leapt at the opportunity.

And so: The Sandwich Theory of Colour Selection. Make sure you're not hungry before you read it.

New personal website!

I've finally properly put together my personal website - kateatherley.com

Go visit! 

You can see my Twitter feed there, get in touch with me, read my blog posts, and see a list of all my upcoming classes and events.

File under: Crazy

I have a bit of thing for leopard prints.

A couple of weeks ago the lovely Sue brought this pattern to my attention: Stray. It's a stranded colourwork hat, in leopard print. 

I bought the pattern that day, and immediately went stash diving for yarn.

Well, naturally, I didn't have much of a selection of yarn in that gauge, but I did manage to find three skeins of Berroco Ultra Alpaca Light, a yarn I love very much. It's warm, and blocks beautifully, and it has a great little halo I thought would be nice for this design, to suggest a bit of 'furriness'.

The problem, however, was that I didn't have anything like appropriate colours. Oh sure, I had a nice medium brown - but the contrast colour choice was limited. I had a couple of shades of orange. (This should not come as a surprise to anyone who knows me.)

So I did what any sensible knitter would do: I cast on anyway.

So herewith, an orange leopard print hat.

I've been working on it as I've been riding Go Transit this week, and it's been an ideal travel project. It needs a lot of attention, but it's not a big project.

The colours, however, aren't the craziest thing about this project.

It's that it's THREE COLOUR stranded colourwork.  Yes, three colours per round.

It is one of the most fun projects I've ever knitted, but it is a hair, shall we say... 'toothy'...

If you're looking for a challenging and engaging colourwork project... if you're feeling emboldened by my presentation last Tuesday... or if you just need something to do to frighten your other knitter friends... Stray is it!

(P.S. Fab project bag is from Pip N Milly Creations - I adore this design for colourwork as the yarnballs sit neatly side-by-side in the flat bottom, and the clear front means I can more easily keep track of potential tangles.)

On Knitting in Public

I had an interesting discussion with a couple of newer knitters last week.

I've been knitting seriously and shamelessly since the mid 1990s. And with that, comes knitting in public. I knit in public all the time - most often when commuting around the city on the TTC.

I used to knit on the TTC every weekday when I still had a day job at rush hour, and on the New York subway when I lived there. Sometimes, the vehicles were a bit crowded, but working on a sock project doesn't need much room.

picture courtesy Brent Gilliard, on a Creative Commons license

Now I use the TTC at least four or five times a week, most often on streetcars.

Streetcars - also known as trams - are, IMHO, the best public transport vehicle for knitting. They have them in various cities around the world, and I've personally ridden them in Toronto, Boston, Stockholm, Helsinki, Portland, OR, and Manchester - all while I'm knitting.

Streetcars are great for knitting because you're most often above ground - natural light! And if what you're knitting doesn't require much attention, there's always something good to look at. Streetcars are significantly steadier and smoother than buses, being on rails. I tend to motion sickness, so this is a huge advantage to me. It's also useful if you're trying to balance a chart on your lap.

The other knitters in the conversation are newer knitters, and have taken up transit-knitting only recently. They were telling me that they feel that knitting on the TTC draws attention - that they get stared at.

I've had the odd odd exchange with an interested fellow passenger, it's true, but I think that I've been knitting on public transport for so long that not only do I not notice whether people are paying attention to me (usually because I'm paying attention my knitting), but I'm not even sure I remember how people reacted to me when I wasn't knitting. I can't remember the last time I was on/in any kind of vehicle without knitting...

I'm riding trains a few times this week - Tuesday heading to Kitchener Waterloo to speak to my friends at the Guild today, and Saturday off to Spun in Burlington. You know I'll be knitting up a storm the entire way.

Do you get stared at when you knit in public? Do you notice?

Mod Squad Mods

It's always a thrill to see an FO from one of my patterns; even more of a thrill when someone takes the idea and runs with it.

Long-time friend and knitter W. was intrigued by the slip stitch colourwork technique in my Mod Squad hat, but she was unsure if she wanted to knit a hat. Her daughters have lots of big curly hair, so they like headbands.

So W. made headbands.

These are the second and third.

More are on the needles as we speak. Love it!

W. has used Tanis Fibre Art's Green Label aran weight, worked on 4.5mm needles. The blue is the Cobalt  colour, the purple one is the Grape colour. Both worked with Tanis's natural as the contrast colour.

If you want to make your own headband variant, follow the pattern as written until you've complete 2 repeats of the 12-row pattern, and works Rows 1-6 once more.
Knit 1 round, purl 1 round.
Work a decrease round as follows:
Decrease round, size small only: (K2, k2tog, k3, k2tog, k2, k2tog) 8 times around. 80 sts.
Decrease round, size large only: (K3, k2tog, k2, k2tog, k3, k2tog) 8 times around. 88 sts.
Purl 1 round, knit 1 round.
BO purlwise.

Buy the Mod Squad Pattern - On Ravelry, On Patternfish